eXTReMe Tracker

21 April 2010

From Bayani San Diego, Philippine Daily Inquirer: Book lists 4 Filipinos among world’s best


By Bayani San Diego Jr.
Philippine Daily Inquirer
First Posted 21:43:00 04/20/2010

MANILA, Philippines—Published by the London-based Phaidon Press, a new book titled “Take 100” features four Filipinos among the “most exceptional and talented emerging film directors in the world.”

The Pinoys in this book subtitled “The Future of Film: 100 New Directors” are Brillante Mendoza, Auraeus Solito, Raya Martin and Pepe Diokno.

Phaidon publishes books on the visual arts in six languages—English, French, German, Italian, Spanish and Japanese.

‘Pressure’

According to the book’s website, the 100 filmmakers were chosen by 10 curators and festival programmers, representing some of the world’s top film festivals, including Cameron Bailey of Toronto, Trevor Groth of Sundance, Dong Ho-Kim of Pusan, Frederic Maire of Locarno and Marco Muller of Venice.

Filmmakers from countries as diverse as Algeria, Romania, France and Mexico have also made it to the list.

Mendoza said this latest recognition is a source of “[both] joy and trepidation.”

“With each new honor comes added pressure to work harder,” Mendoza told Inquirer Entertainment. “But it’s good news that four Filipinos are on the list.”

Variety

It’s also noteworthy, Mendoza said, that the four represent different filmmaking styles and sensibilities. “It illustrates the variety of Philippine cinema,” he said.

Solito agreed: “We come from different generations—from ages 21 to 49. This confirms that the world is now looking at the new wave of Pinoy movies.”

He recalled that, five years ago, he felt “alone in the film fest circuit, but now there are lots of Filipinos in every festival I visit.”

The book is a prestigious project, Solito said. “Phaidon featured the world’s best fashion designers and visual artists in earlier publications.”

Presence

Martin was excited about his inclusion on the list. “If I am not mistaken, US director Jason Reitman (“Juno”) and Argentinean filmmaker Lucrecia Martel (“The Headless Woman”) are also in the book. These are filmmakers I admire.”

He continued: “I’m looking forward to it because Phaidon consistently comes out with beautiful books.” (“Take 100” is coming out next month.)

The strong Philippine presence in the lineup, Martin noted, speaks volumes about “the Indie movement in the country. Pinoys are so global.”

The struggle now, he said, is to sustain world interest in local films.

“We are just starting. We should invest in the future so that we can prove that the Philippines is not just a fad in world cinema,” Martin said. “But we shouldn’t rush.”

Diokno, youngest of the four, echoed Martin’s sentiments: “One hundred years from now, people will read this book and they will remember this time in our filmmaking history.”

Film is a collaborative medium, Diokno explained. “It’s an honor not only for us, the directors, but for the entire scene.”

Diokno describes the citation as “thrilling, yet humbling. It feels good to be in the company of Brillante, Auraeus and Raya.”



Labels:

Link

27 March 2010

from abs-cbn.com : Short films critical of GMA rated X by MTRCB

MANILA, Philippines - Two films directed by internationally acclaimed Filipino directors Jeffrey Jeturian and Brillante Mendoza for ABS-CBN's short film project, AmBisyon, were rated X on Thursday (March 25) by the Movie & Television Review & Classification Board (MTRCB).

Jeturian’s film “Ganito tayo ngayon, Paano na tayo bukas?” focused on the state of the economy. His camera follows a newspaper from the time it is delivered to a homeowner to when it is used to wipe feces from a foot of a cart-pushing vendor.

Jeturian uses a newspaper printed with the same controversial advertisement that came out in early January trumpeting the Arroyo administration’s economic successes. The film ends with President Arroyo’s photo on the crumpled newspaper.

The MTRCB said the film was X-rated for “undermining the faith and confidence of the people in government.”

Film on poverty 'injurious' to RP prestige?

Mendoza’s film, “Ayos Ka,” is a music video whose hopeful soundtrack is a stark contrast against images of poverty, prostitution, drugs and murder.

The MTRCB claimed Mendoza’s film is “injurious to the prestige of the Republic of the Philippines and its people."

ANC, ABS-CBN's 24-hour news channel, produced the AmBisyon 2010 film series in the name of public interest. It sought to "offer a nation on the verge of a critical election the chance to focus on issues, not personalities."

AmBisyon's goals were shared by the film industry. Twenty big names in Philippine cinema thus offered their talents to each create a short film on a chosen issue.

The films are scheduled to screen at the Cultural Center of the Philippines (CCP) in Pasay City on April 6, and in a 5-episode weekly series over ANC and Studio 23 beginning April 9.

ANC to appeal ruling

In a statement, ANC said it will appeal the ruling.

"We in ANC respect due process, and will be requesting a second review on Monday. We hope the MTRCB will reconsider," the ANC said.

"We support our filmmakers in their decision not to revise their films. While the views of the 20 AmBisyon filmmakers may not necessarily reflect ANC's, we believe that these films are legitimate perspectives of the state of the nation," the ANC added.

"We trust in the public’s capacity to decide whether they will claim these views as their own."

Press alliance hits X-rating

The Southeast Asian Press Alliance (SEAPA) expressed "deep concern" over the MTRCB's decision to give the poll-related short films an X-rating, "effectively banning the shows from being broadcast."

"Even as ABS-CBN has vowed to appeal the classification, SEAPA believes MTRCB's rating for the documentaries, and especially its appalling reasoning behind the decision, damages the Philippine environment for free expression and press freedom, ironically at a crucial time when Filipinos would benefit from diverse, frank, and unflinching issues-based discourses relevant to their future," SEAPA said.

"Neither 'faith and confidence of the people in government' nor 'the prestige of the Republic of the Philippines' should be the imposed priority of the Philippine media. In an election period especially, the media's faithfulness should merely be to the many sides of truth to any issue, to its own independence, and to the public that demands, and has a right to, information and free and fair commentary," the group said.

The SEAPA said: "Worse yet, the MTRCB's move could send a chilling effect to all other filmmakers, journalists, and media executives, with its suggestion that negative portrayals of government and the country's social conditions would not be tolerated. SEAPA calls on the MTRCB to entertain ABS-CBN's appeal, and to take the opportunity to reverse itself on an egregious decision that injures Philippine democracy and the very integrity of the coming elections."

SEAPA is a regional organization whose mandate is to promote and protect press freedom in Southeast Asia.

It is composed of the Jakarta-based Alliance of Independent Journalists (AJI) and the Institute for Studies on the Free Flow if Information (ISAI); the Manila-based Center for Media Freedom and Responsibility and Philippine Center for Investigative Journalism; the Bangkok-based Thai Journalists Association; and the network's Kuala Lumpur-based associate member, the Centre for Independent Journalism.

Labels: , , ,

Link

16 July 2009

ellen ongkeko marfil's BOSES to be screened at the UP film center

ERASTO FILMS in cooperation with

UNICEF

CASA SAN MIGUEL

DSWD

Council for the Welfare of Children (CWC)

National Commission on Culture and the Arts (NCCA)

Film Development Council of the Philippines (FDCP)

introducing COKE BOLIPATA JULIAN DUQUE

starring RICKY DAVAO CHERRY PIE PICACHE MERYLL SORIANO

Consultant for Scriptwriting ARMANDO LAO

Consultant for Child Psychology PEACHY FERNANDO

Sound Supervision ALLAN MARCELO HILADO

Editor and Sound Design ORLEAN TAN

Colorist JOHN TAN Production Design BIANCA GONZALES

Musical Score JOURDANN O. PETALVER

Musical Direction COKE BOLIPATA

Director of Photography NAP JAMIR

Co-Director and Technical Supervisor MILO ALTO-PAZ

Supervising Producer CYNTHIA PAZ

Executive Producers MARTIN P. MARFIL & ELLEN ONGKEKO-MARFIL

Based on

Froi Medina's Tinig sa Dilim,

2nd prize winner at the Cinemanila 2007 scriptwriting competition.

Screenplay FROILAN MEDINA and RODY VERA

Direction ELLEN ONGKEKO-MARFIL



BOSES

Synopsis:

Rescued by a concerned neighbor from his abusive father, 7-year old Onyok is brought to a shelter for abused children. Amanda, the shelter's owner-founder realizes that Onyok is unable to speak, caused by a physical trauma that damaged his larynx. On the first day of his stay in the shelter he hears the faint sound of a violin being played from far off. This strange but beautiful music that has captivated Onyok's attention comes from Amanda's reclusive brother Ariel, who has turned back on his career as a concert violinist in Manila and came back to the family house bearing a terrible guilt.

This is the beginning of a simple, yet moving friendship between Onyok and Ariel. Ariel's initial cynicism over his sister's commitment to caring for abused children slowly melts when he sees Onyok's intrinsic inclination to the violin. Onyok proves to have inborn talents to the instrument that leads Ariel to teach the mute little boy.

Amanda begins to worry, however, when Ariel begins to push Onyok beyond his limits, leading the boy away from dealing with his own emotional issues as well as straining his new-found friendship with Shirley, a young precocious child in the shelter.

In the course of the film, Ariel's secret guilt over the death of his sweetheart protege is revealed. The question of Ariel's motives about him pushing Onyok's gifted talents to a similar level comes to the fore. Does Ariel really care for Onyok's condition, or is he pushing Onyok to fulfill a shattered dream?

Onyok's abusive father is slowly rehabilitated and the shelter is eventually preparing for a reconciliation between father and son. Ariel realizes that he does not own the child. And their friendship will have to encompass both their individual issues -- hardly similar and yet resonant to both of them.

Nobody knows whether Onyok's reconciliation with an abusive parent will succeed. But one thing has remained inevitably clear: he has regained his voice.





"... specially moving and value-laden film. I was in tears many times, so clean and well told. "
- Cheche Lazaro, Broadcast Journalist

"Brilliant Cinema!"
- Joel Lamangan, film director

"… your film is one of the best in the four years of Cinemalaya."
- Gil Portes,film director

"BOSES will soothe the uneasy, fearful, troubled breast ... The story tackles child abuse, healing, and friendship-without being preachy and didactic. Never has a local movie integrated social advocacy and the promotion of classical music so seamlessly, movingly, and beautifully… movie collaboration at its creative best."
- Mario Hernando, Malaya, Urian

"The essence of transforming lives is so meaningful. Coke and Onyok were so natural."
- Irene Rada, CCP

"Sobrang galing. It is a must-see!"
- Dr. Honey Carandang, Child Psychologist

"The film is made even more compelling by the stirring performances turned in by the boy who plays Onyok, Davao, Picache - and most of all, by Bolipata, who moves us not only with his unexpectedly felt and insightful portrayal but also with his musical performance, which is an overwhelming experience."
- Nestor Torre, PDI

”At the premiere night, the audience was not shy in proclaiming its feelings about the movie, both shouting, laughing and crying at various times. In one scene, Ariel attempts to elude Ricky’s character and the audience collectively cheered, some people even rising from their seats! At the back of the hall was a row of foreigners and I wondered what they all thought of this Filipino brand of audience participation.

At the end, a rousing ovation was given the movie (the foreigners had risen, too) and the crowd started to chant Onyok’s name and Julian stood with pride and went onstage. Like Pacquaio at the end of a well-fought match, he stood at the center, crossed his arms and looked straight into the lenses of the cameras that had flocked around him. Standing far away, I knew that the audience recognized genius and was giving it its proper recognition.” – Rica Bolipata, Phil. Star

“ The film has magic.”
-Ronald Arguelles, Cinema One

What a contribution to Philippine culture and society! And para na rin kaming lifted to heaven. Thanks for making that film. – Liza Magtoto, playwright

"The moving BOSES offers an emotionally rich, cathartic experience ... This is an intense, heartfelt film brimming with lovely moments,"
- Gibbs Cadiz, Phil. Daily Inquirer

"Unpretentiously funny, this movie proves that quiet films can be quite riverting ..."
- Rome Jorge, Manila Times Lifestyle Editor

"... more than the movie being about how wounded people can be; more than how terrible it is that people who should love us hurt us and can somehow still miraculously redeem themselves; more than the movie being about the ability to heal and the heart to strengthen; more than the movie about being able to let go of people and trusting in what you have taught them; the movie is about how healing can come from art."
- Rica Bolipata-Santos, Philippine Star, Columnist


"... has powerful emotional appeal, electrifying musical scenes and intrinsic moral values which raise it several cuts above the average movie."
- Rosalinda Orosa, Phil. Star, Columnist

Surprisingly, Bolipata shines as an actor. His warmth and empathy for children, developed through years of teaching, shines through in this film. The man is funny as well. But Duque is even better. To say so much without a word is a command performance."
- Rome Jorge, Manila Times Lifestyle Editor

"Duque’s crushing innocence embodies the movie’s purity."
- Lito Zulueta, Philippine Daily Inquirer, Lifestyle Editor

"Your film made me motionless for some time even after watching it.

Its beauty really moved me. Poignant and so powerful, the music comes from theheart.”
- Archie de Calma, journalist

"One of the year's most intensely moving film so far, brilliantly acted by the entire cast and directed with great sensitivity..."
- Mario Bautista, People's Journal

I love your film . Malaki ang magiging impact niya sa Phil. Society.
-Vic Acedillo Jr., filmmaker


1:00 pm on Saturday, 1 August 2009 at U.P. Cine Adarna.
tickets at Php 150


Julian Duque will grace the event with a post-screening performance.

for inquiries and tickets please contact-
09277116203

Labels: , ,

27 June 2009

quantum films' BIYAHENG LUPA (script and direction: armando lao)

Quantum Films (formerly MLR Films) announces the completion of prizewinning screenwriter Armando "Bing" Lao's directorial debut entitled BIYAHENG LUPA (SOLILOQUY) which stars (in alphabetical order) Archie Adamos, Susan Africa, Jose "Peping" Almojuela, Angel Aquino, Mercedes Cabral, Shamaine Centenera, Julio Diaz, Eugene Domingo, Jess Evardone, Carlo Guevara, Isabella de Leon, Jaclyn Jose, Coco Martin, Allan Paule, Andoy Ranay, Mely Soriano. Written and Directed by Armando Lao. Special thanks to Louie Ocampo.

Labels: , , , ,

Link

08 September 2008

lav diaz of the philippines wins orrizonti prize (grand prize) at the 2008 venice film festival

Labels: , ,

Link

22 August 2008

videos of manila before world war two





***
Glowing Citation of Francis Pasion's Jay from Nigel Andrews, The Financial Times

Movie bliss-out means business

By Nigel Andrews

The 65th Venice Film Festival delivers a thrill to the eyes before a film has even been seen. As if leaping from a screen into the future, three sculpted lions are seen part-emerged – a head, front and feet here, head and claws there, face only of the last in sequence – from a giant white cloth covering the front of the Palazzo del Cinema.

Spectacular? Yes. Symbolic? That too. Clearly, say the lions, those in charge of this dream event in the film calendar, a movie bliss-out on a lagoon, have their more active dream for the future. A foundation stone was laid on day two for a new cinema palace planned for 2011. It will bring fresh eminence to the Mostra del Cinema. It will tell the rival Rome Film Festival to get lost or get busy catching up. And if we ever thought Venice was a mere folderol, a solace to ease the film junkie’s long withdrawal pains after Cannes, director Marco Müller, who has signed a new four-year contract, means business.

Müller must cater for a world in love with audiovisual saturation and cultural completism. Does that mean the days of wine and roses are over? We who love the Lido gig’s reflective pace hope not. Films are allowed to breathe and blossom here: even a slapstick-comedy opener such as the Coens’ Burn After Reading. Just as the crowds could almost touch George Clooney and Brad Pitt during the stars’ gala wave-and-walk-through on first night, critics are allowed up-close dalliance with the film’s fine-tuned fun – a plot about CIA spies accidentally rumbled, then methodically blackmailed, by a gymnasium assistant (Frances McDormand) with dreams of cosmetic makeover – in a festival where quality isn’t crowded out.

Burn after readingDetractors might say this has its downside. We’re happy enough to linger over the Coens, with a smart cast – Clooney (left) and Pitt showing their comedy chops, McDormand’s naïve-as-a-fox heroine (memories of Fargo’s Marge Gunderson), John Malkovich and Tilda Swinton in expert support – being led through a movie where every line counts and every look counts double. Hollywood made us medium-happy, too, with Guillermo Arriaga’s The Burning Plain (pictured below), a subtly epic tale of two women living different lives in different times, with Charlize Theron gnawed by slowly revealed guilts and griefs in present-day Oregon while Kim Basinger finds a tragic love-rapture in sunnier, earlier Mexico. (Are the two women connected? No plot spoilers from me.)

But this year’s Venice line-up sagged a little early on between high points. We had time to ponder too many mixed-nation thrillers grimy with hokum. Barbet Schroeder’s Inju follows a French crime writer (Benoît Magimel) to Japan to duel with a serial-killing psychopathic rival in a film of popcorn Schadenfreude. Yu Likwai’s Plastic City is set in São Paulo and promised a Chinese visionary’s insight into Brazilian social meltdown. Yu is the regular cinematographer of leading director Jia Zhang-ke. But the film explodes into multiple fragments, part gangster movie, part identity drama, part lens artist’s visual brainstorm.

As I write, steadiness is creeping back into the competition. Halfway, the best in show is a low-budget tale of obsession by an Iranian working in the US. Proving that international mixes can work, Amer Nedari’s Vegas: A True Story presses our faces to the window of a poor family’s bungalow on the edge of the Nevada Babylon – the Strip a garish shimmer in the background – as their slender fortunes turn to calamity. Sold the notion that a suitcase full of millions lies under their backyard, father, son and sceptical mum heave to with spades and mattocks. The loot keeps eluding them; the garden keels into ruin; the house becomes a mining camp, filthy with dust and despairing hope.

Naderi made an early gem of new Iranian cinema, The Runner, before relocating to America. Vegas may prove his naturalisation project, a raw tragedy in the tradition, if not with the bank-breaking budget, of Stroheim’s Greed. By the end an unknown cast has become a trio of indelible faces, a patch of land a glimpse of purgatory.

The burning plainCurios are starting to crowd up for the Golden Lion’s attention. Turkey’s Milk, the growing-up tale of a poet, has a gobsmacking opening. A cauldron of milk, a woman hung upside-down, a live snake extracted from her mouth. Whenever this scene is shown there should be a sales lady in the auditorium with a tray of smelling salts. France’s L’Autre is more long-distance in its weirdness. A looks-proud, independent-minded thirtysomething, played by the mesmerising Dominique Blanc (face of Jeanne Moreau mixed with Bette Davis), discovers she is a fraction too late to throw over a stable relationship for the fugitive dream of freedom and love on the hoof. She becomes – perhaps she always was – borderline psychotic and over-the-border delusional. When you see your Doppelgänger on a passing train, it is time to settle down or hire a shrink.

On the Venice fringe there have been two films to cheer: an Italian reconstruction and a Philippine satire. Pier Paolo Pasolini’s 1963 La Rabbia (‘Rage’) was a potion of screen rhetoric, never before seen in the undiluted form the director intended. The original producers wanted to “balance” PPP’s jeremiad against class and capital – which becomes much more as the winds of prophecy fill his sails – with a rightwing film-essay from author Giovanni Guareschi. The latter is now discarded. Giuseppe Bertolucci (Bernardo’s brother) has re-assembled the old material, added some never seen, and puts before Italy and the world Pasolini’s true original rage, a scintillating montage of 20th-century news footage – from Mussolini to Marilyn Monroe – unified and signposted by a genius’s vision.

Perfidious media managers; treachery in the name of truth. They are everywhere today, not least in the lies of “reality TV”. Francis Xavier Pasion’s Jay, from the Philippines, is an acutely funny tale of intrusive telly reporters, bearing down on a family bereaved by a gay son’s murder to make their grief part of a nation’s infotainment. They start by poking a lens at the family’s faces as they learn the news; they end by getting them to act, or re-enact, every emotional convulsion that needs a second, third or umpteenth take. The remuneration? The reporters will help find the son’s killer. By the time they do, even the murderer, we know, will be signing release forms and hungrily securing his 15 minutes of fame.

Labels: , , , ,

18 August 2008

auditions for jeffrey jeturian's new film

AUDITIONS FOR CHARACTER ROLES

Auditions for Quantum Films' indie film "PARANGAL," written by Armando "Bing " Lao and Chuck Gutierrez and to be directed by Jeffrey Jeturian, are scheduled on August 23 and 24, 1-7 P.M. at 7 Villanueva Drive, Commonwealth Avenue, Diliman, Quezon City. If you are coming from Philcoa going towards Fairview, get off at the overpass at Tandang Sora along Commonwealth Ave., cross over to Puregold on the left and walk a few meters towards Grand Terrace and Isuzu. In-between is Villanueva Drive, a dead-end street. For those with cars, turn at the first U-turn after Tandang Sora flyover. If you are coming from Fairview, the venue would be on your right.

Kindly bring both a close-up and full body photo. Incidentally, for the hunks roles, kindly bring swimming trunks. We are auditioning for the following character roles:

1) YAYA INDAY

- 60-70 years old
docile, servile, faithful
over-protective of ward
arthritic and has failing eye-sight

2) BEATRIZ MEDINA

- screen age, 45-55 years old
eldest sister
stern-looking, old maid
preferably fair-skinned

3) JOAQUIN MEDINA

- screen age, 45-55 years old
middle brother
corporate guy
chauvinist and homophobic
preferably fair-skinned

4) MILAGROS MEDINA

- screen age, 40-50 years old
youngest sister
affable, loving
balikbayan
preferably fair-skinned

5) LORNA

- screen age, 40-50 years old
Joaquin's wife
typical middle class

6) LORNA'S KIDS

A. TIMMY - 18 years old, nerdy
B. MONICA - 13 years old, giggly
C. RJ - 9 years old, bratty

7) MATRIARCH

- 70-80 years old
family matriarch
senile, sickly

8) ELMER

- screen age, 45-55 years old
music professor
gay, flamboyant, loud

9) NICK

- screen age, 45-55 yeras old
affable, charming
discreet gay

ASSORTED BIT ROLES

A. AMERICAN PRIEST

- can speak fluent Tagalog


B. KOREAN SOPRANO

- female, music student
-can sing Tagalog or Visayan folksong


C. SUSAN

- private nurse, 25-35 years old


D. GIRL VENDOR

- 12 years old


E. SECURITY GUARDS (2)


F. WAITERS (2)


G. MATRON, widow


H. HUSTLER CALLBOY


I. LADY GUARD


J. TECHNICIAN


K. PHOTOGRAPHER


L. DEAN, male


M. ASSORTED MALE AND FEMALE MUSIC STUDENTS


N. ASSORTED GAYS, young and middle-aged


O. ASSORTED GOOD-LOOKING HUNKS

***

Quantum Films' "PARANGAL" Auditions

Auditions for Quantum Films' indie film "PARANGAL," written by Armando "Bing " Lao and Chuck Gutierrez and to be directed by Jeffrey Jeturian, are scheduled on August 23 and 24, 1-7 P.M. at 7 Villanueva Drive, Commonwealth Avenue, Diliman, Quezon City. If you are coming from Philcoa going towards Fairview, get off at the overpass at Tandang Sora along Commonwealth Ave., cross over to Puregold on the left and walk a few meters towards Grand Terrace and Isuzu. In-between is Villanueva Drive, a dead-end street. For those with cars, turn at the first U-turn after Tandang Sora flyover. If you are coming from Fairview, the venue would be on your right.

AUDITIONS FOR LEAD ROLES (MALE)

We are looking for good-looking, hunky males, ages 18 to 27. We are looking for the following:

1) BRIAN - screen age 15 to 25, good looks and good build

2) JHUN - screen agre 15 to 25, dark-skinned, well-toned body, can pass for a young JULIO DIAZ

3) BENJIE - screen age 15 to 25, fair skinned, well-toned body, can pass for a young RICKY DAVAO

Important: All "auditioners" must be willing to bare & engage in love scenes in the movie. Bring trunks, close-up, and full-body photos.

For further inquiries, you may call Josie at 09174918539 or 4075437 or visit http://parangal.multiply.com.

***


(l-r) at chocolate kiss cafe, with prizewinning film director jeffrey jeturian, u.p. theater professor anril pineda tiatco, u.p. european languages instructor errol john agustin, mercator models founder / CEO jonas gaffud, u.p. music lecturer paul aquino, and u.p. speech communication instructor erica jan valerio
prizewinning screenwriter armando "bing" lao and cinemalaya film festival best picture (for "jay") winner francis pasion
jeffrey jeturian with visual artist / businessman jay lozada

Labels: , , , , ,

23 July 2008

cinemalaya goes to u.p. diliman

cinemalaya 2008 winners

full-length films

Best Film - “Jay”
Best Director - Chris Martinez, “100”
Audience Choice -”100” (directed by Chris Martinez)
Best Actress - Mylene Dizon, “100”
Best Actor - Baron Geisler, “Jay”
Best Supporting Actor -Yul Servo, “Brutus”
Best Supporting Actress - Eugene Domingo, “100”
Best Cinematography (tie) - Jay Abello, “Brutus” and Dan Villegas, “Huling Pasada”
Best Screenplay -Chris Martinez, “100”
Best Editiing - Francis Pasion, “Jay”
Special Jury Prize -”Brutus” (directed by Tara Illenberg)
Best Sound Design -Lito Cruz, “Ranchero”
Best Original Music -Joey Ayala, “Brutus”
Best Production Design - Cristina Honrado, “Baby Angelo”

short films

Best Film - Rommel (Milo) Tolentino for "Andong"
Best Director (Short Film) - Mark Reyes for “God Only Knows”
Audience Choice (Short Film) - “God Only Knows” (directed by Mark Reyes)
Best Screenplay (Short Film) - “Andang” (directed by Rommel Tolentino
Special Jury Citation (Short Film) - “Angan Angan (Dreams)” (directed by Sheron Dayoc)
Best Special Jury Citation (Short Film) -”My Pet” (directed by Anna Bigornia)

schedule

July 28 Mon

Manuel Conde Retrospective: Genghis Khan 2:30 p.m.

Baby Angelo 5 p.m.

Concerto 7:30 p.m.

July 29 Tue

Cinemalaya's Past Best Pictures Showcase: Pepot Artista 2:30 p.m.

Jay 5 p.m.

Huling Pasada 7:30 p.m.

July 30 Wed

Cinemalaya's Past Best Pictures Showcase: Tulad ng Dati 2:30 p.m.

Brutus 5 p.m.

Namets 7:30 p.m.

July 31 Thu

Cinemalaya's Past Best Pictures Showcase: Tribu 2:30 p.m.

100 5 p.m.

My Fake American Accent 7:30 p.m.


Aug 1 Fri

Ishmael Bernal Gallery Night with Film Premiere of Adolf Alix's Imoral 7:30 p.m.

Aug 2 Sat

Endo 2/5/7 p.m.

Aug 4 Mon

Anita Linda Tribute: Tambolista 2:30 p.m.

Boses 5 p.m.

Ranchero 7:30 p.m.

Aug 5 Tue

Manuel Conde Retro: Krus na Kawayan 2:30 p.m.

Cinemalaya 2008 Competing Shorts A (composed of Andong, Ang Ibang Mga Palmilya, Angan-Angan, Diamante sa Langit, and God Only Knows) 5 p.m.

Cinemalaya 2008 Competing Shorts B (composed of Huling Biktima, My Pet, Panggaris, Trails of Water, and Tutos) 7:30 p.m.

Aug 6 Wed

Anita Linda Tribute: Sisa 2:30 p.m.

Cinemalaya 2008 Special Jury Prize Winner (Brutus) 5 p.m.

Cinemalaya 2008 Best Picture (Jay) 7:30 p.m.

Aug 7 Thu

Donsol 2:30 p.m.

Kadin 5 p.m.

Anita Linda Tribute: Sisa 7:30 p.m.

Aug 9 Sat

Premiere: Torotot (Destierro) 7:30 p.m.

Aug 11-14 Mon/Tue/Wed/ Thu; 16 Sat 4/7 p.m.

Eiga Sai 2008 in Celebration of Philippines- Japan Friendship Month: We Shall Overcome Someday; Linda Linda Linda; Juvenile Jungle; Hanging Garden; A Stranger of Mine; Canary; Chibi Maruko Chan

Aug 19 Tue
Juno 7 p.m.

Aug 20 Wed
Juno 2:30 & 7:30 p.m.

I-Witness Docus Presented by OBEM 5 p.m.

Aug 21 Thu

Bayani d/w Sakay 2:30 p.m. onwards

Premiere: Latak 7 p.m.

Aug 23 Sat

Premiere: Cris Pablo's Quickie 7:30 p.m.

Aug 25 Mon

Special Full Run: Juan Baybayin 2:30/5/7 p.m.

Aug 26 Tue

Linggo ng Kasaysayan Presentation: Anak Dalita 2:30 & 5:30 p.m.

Aug 27 Wed

Bayani d/w Sakay 2:30 p.m. onwards

Replay by Demand: La mujer de mi hermano (My Brother's Wife) 5:30/7:30 p.m.

Aug 28 Thu

Replay by Demand: La mujer de mi hermano (My Brother's Wife) 1:30/3:30 p.m.

Premiere: The Thank-You Girls 6:30 p.m.

Aug 30 Sat

Replay by Demand: La mujer de mi hermano (My Brother's Wife) 2/5/7 p.m.

Sept 1 Mon

Replay by Demand: La mujer de mi hermano (My Brother's Wife) 2:30/5/7 p.m.

@ the Videotheque

July 28 Mon

Blue Jeans 5:30 p.m.

July 29 Tue

Jaguar 5:30 p.m.

July 30 Wed

Daluyong 5:30 p.m.

July 31 Thu

Menor de Edad 5:30 p.m.

Aug 1 Fri

Virgin Forest 5 p.m.

The Battle of Algiers 7:30 p.m.

Aug 2 Sat

Lapu-Lapu 2:30 p.m.

El Vibora 4:30 p.m.

Aug 6-7

Special Full Run (Preceded by short film Lispong Terorista): Ang Huling Araw ng Linggo 4:30/6:30 p.m.

Aug 8-9

Bernardo Carpio 5 p.m.

Special Full Run (Preceded by short film Lispong Terorista): Ang Huling Araw ng Linggo 7 p.

Aug 11 Mon

Special Full Run (Preceded by a bonus short film): Ang Huling Araw ng Linggo 5 p.m.

Aug 12 Tue

Special Full Run (Preceded by a bonus short film): Ang Huling Araw ng Linggo 5 p.m.

Aug 13 Wed

Suriyothai 5 p.m.

Aug 14 Thu

Edward II 5 p.m.

Aug 15 Fri

Lapu-Lapu 5 p.m.

Suriyothai 7 p.m.

Aug 16 Sat

Edward II 2:30 p.m.

The Tin Drum 4:30 p.m.

Aug 18 Mon

The Tin Drum 2:30 p.m.

Ang Alamat ni Julian Makabayan 5 p.m.

El Vibora 7 p.m.

Aug 19 Tue

The Battle of Algiers 5:30 p.m.

Aug 20 Wed

Asiong Salonga 5:30 p.m.

Aug 21 Thu

Capitan Pepe 5:30 p.m.

Aug 22 Fri

Zuma 5 p.m.

Ang Alamat ni Julian Makabayan 7 p.m.

Aug 23 Sat

Bayaning 3rd World 2:30 p.m.

Geron Busabos 4:30 p.m.

Aug 25 Mon

Bayaning 3rd World 5:30 p.m.

Aug 26-29

Special Full Run: Juan Baybayin 5/7 p.m.

Aug 30 Sat

Special Full Run: Juan Baybayin 2:30/4:30 p.m.

francis pasion receives best picture prize for jay


chris martinez receives best director for 100

mylene dizon receives best actress award for 100

baron geisler receives best actor award for jay

eugene domingo receives best supporting actress award for 100

Cheers For This Seasons Cinemalaya Winners
From Left: Cinemalaya 2008 Jury members Lito Zulueta, Max Tessier, Kim Ji-Seok, Cinemalaya Foundation Chairman Antonio O. Cojuangco, Cinemalaya Competition Director Laurice Guillen, CCP President and Cinemalaya Festival Director Nestor O. Jardin, with Cinemalaya 2008 Best Picture winners Rommel “Milo” Tolentino for Andong (Short Feature Film) and Francis Xavier E. Pasion for Jay (Full-Length Feature Film).


Labels: , ,